Free Lyrics 2026

Blondie ~ 11:59 (live In Dallas 1980)


Leaning in your corner like a candidate for wax. Sidewalk social scientist don't get no satisfaction from your cigarette. It's ten to ten. Time is running out. Take me down the highway like a rocket to the ocean. We can run. Today can last another million years. Today could be the end of me. It's 11:59 and i want to stay alive. Pumping like a fugitive in cover from the night. Take it down the freeway like a bullet to the ocean. Wait until the morning, take tomorrow by the hand. Take it down the highway like a rocket to the ocean. We can run. Today can last another million years. Today could be the end of me. more free lyrics

Leaning in your corner like a candidate for wax.
Sidewalk social scientist don't get no satisfaction from your cigarette.
It's ten to ten.
Time is running out.
Take me down the highway like a rocket to the ocean.
We can run.
Today can last another million years.
Today could be the end of me.
It's 11:59 and i want to stay alive.

Pumping like a fugitive in cover from the night.
Take it down the freeway like a bullet to the ocean.
Wait until the morning, take tomorrow by the hand.
Take it down the highway like a rocket to the ocean.

We can run.
Today can last another million years.
Today could be the end of me.

more free lyrics

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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