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Blind Melon ~ Leters From A Porcupine


Underlying
Oh, so more important here
Any kind
Oh, what ever shakes a thrill
Mark my face
The air is really heavy now
I pledge allegiance
So god why don't you come on over here
D- i- e- d
Oh, that's what has happened to you
G - r - e - e - d
Well, there is nothing more to take
Pour the red wine
Watch the news, maybe ventilate
I pledge allegiance
So laddy why don't you come on over here

Letters from the porcupine
They'll stick straight through you
So read one anytime
You think you've made mistakes
Now we'll wait for later
Maybe the next in line will be
Someone who's daddy's blood
Ran out next to bush and to be him


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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