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Billy Joel ~ Worse Comes To Worst


Today I'm livin' like a rich man's son
Tomorrow mornin' I could be a bum
It doesn't matter which direction though
I know a woman in New Mexico
Oh worse comes to worse I'll get along

I don't know how but sometimes I can be strong
And if I don't have a car I'll hitch
I got a thumb and she's a son of a bitch
I'll do my writing on my road guitar
And make a living at a piano bar
Oh worse comes to worse I'll get along
I don't know how but sometimes I can be strong

Oo lighting and thunder
Flashed across the roads we drove up on
Oh but it's clear skies we're under
When we are together, when I sing my song

Fun ain't easy if it free
Too many people got a hold on me
But I know a woman in New Mexico
Oh worse comes to worse I'll get along
I don't know how but sometimes I can be strong


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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