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Billie Holiday ~ I'm Painting The Town Red


A smile on my face
A song on my lips
Pretending is all i do
I'm painting the town red
To hide a heart that's blue

I'm gay with the crowd
I play with the crowd
But oh, if they only knew
I'm painting the town red
To hide a heart that's blue
Must i go on carrin' on?

My merry song is just pretend
Loving you so, wanting you so
Where will it end, how will it end?

A smile on my face
A song on my lips
But never forgetting you
I'm painting the town red
To hide a heart that's blue


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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