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Big Star ~ Daisy Glaze


I'm driving alone
Sad about you
Not going home
What's to do
You better not leave me here
Better not leave me here
Ooh i want you here
How can you leave me here.

I lie in a stream
And floating fine
Receiving things
In my beautiful mind
Sometimes oh sometimes
Sometimes oh sometimes
Lover yes i am
Lover you know i am.

Now i'm in a bar
That's got to be where they are
Going to dance in the bar
They're going to fight on the floor
Faster than i can see.

Now i gonna score
Make for the door
Who is this whore ?
Soon be beggin drags.

And i'm thinking christ
Nullify my life.

You're going to die
You gonna decease.


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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