Free Lyrics 2026

Aztec Camera ~ Working In A Goldmine


Words and music by roddy frame Vocals & guitars roddy frame. keyboards & programming michael jonzun. Drums steve jordan. percussion carol steele. bass will lee. background Vocals robin clark, gordon grody and lani groves. produced by rob Mounsey. engineered by richard alderson and kevin halpin. Our love's the sound Of broken skies Too blind to see What lies inside We love what shines Before our eyes Why can't we learn What hides? Chorus: Waiting on the last train Flicking through the highlights Livin' in a suitcase Positively uptight Kissing in the full moon Drowning in the sunshine Walking on a tightrope And everything is gonna be just fine 'cos i believe in your heart of gold Automatically sunshine Yeah glitter, glitter everywhere Like working in a goldmine And we believe that there's a heart beats on In the dark of the closedown Yeah glitter, glitter everywhere Like working in a goldmine And time not tied Is time to feed We lose our pride We spill our seed The worst of us Escape so slow The best of us Just goes Chorus They'll make you work for everything Never let it roll Never let it swing Take control and let your heart sing more free lyrics

Words and music by roddy frame

Vocals & guitars roddy frame. keyboards & programming michael jonzun.
Drums steve jordan. percussion carol steele. bass will lee. background
Vocals robin clark, gordon grody and lani groves. produced by rob
Mounsey. engineered by richard alderson and kevin halpin.

Our love's the sound
Of broken skies
Too blind to see
What lies inside
We love what shines
Before our eyes
Why can't we learn
What hides?

Chorus:
Waiting on the last train
Flicking through the highlights
Livin' in a suitcase
Positively uptight
Kissing in the full moon
Drowning in the sunshine
Walking on a tightrope
And everything is gonna be just fine
'cos i believe in your heart of gold
Automatically sunshine
Yeah glitter, glitter everywhere
Like working in a goldmine
And we believe that there's a heart beats on
In the dark of the closedown
Yeah glitter, glitter everywhere
Like working in a goldmine

And time not tied
Is time to feed
We lose our pride
We spill our seed
The worst of us
Escape so slow
The best of us
Just goes

Chorus

They'll make you work for everything
Never let it roll
Never let it swing
Take control and let your heart sing

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

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