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America ~ I Don't Believe In Miracles


Written by russ ballard, ©1980
Found on alibi.

I walk along the road and past your door
Then i remember things you said
I know in time we could've been so much more
But if you wanna come back home, go right ahead

But i don't believe in miracles
I don't believe in miracles
But i thought you might show your face
Or have the grace to tell me where you are

I believe i was your game, your ball (your ball)
If you tossed me up then i would fall
And so you've won again, ah, you win them all
But i believe i'd run to you, if you should call

But i don't believe in miracles (don't believe in miracles)
I don't believe in miracles (don't believe in miracles)
But i thought you might show your face
Or have the grace to tell me where you are (tell me where you are)

I believe that somewhere there's someone
Who's gonna light the way when things go wrong
The bullet that shot me down came from your gun
The words that turned me round were from your song

But i don't believe in miracles (don't believe in miracles)
I don't believe in miracles (don't believe in miracles)
But i thought you might show your face
Or have the grace to tell me where you are (tell me where you are)

But i don't believe in miracles (don't believe in miracles)
I don't believe in miracles (don't believe in miracles)
But i thought you might show your face
Or have the grace to tell me where you are


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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