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Adam Ant ~ Human Bondage Den


Adam ant/marco pirroni

0 lucky lucky me
I can live here in luxury
Can't answer your simplicity
You've got to stop your grumbling
And all that human bondage den
And try to make a man of me
Oh never never let me go
The flaming flesh that wonder hole
Where violence equals zero
You've got to stop your grumbling
And all that human bondage den
Beef cake and custard to a big hero
Hey ho strike one
Last one in's a son of a gun
Hey ho strike two
Can't fight here, this is the war room

So kiss me quickly who'll oblige?
So come along now don't be shy
Don't be all surface no insides
You've got to stop your grumbling
And all that human bondage den
So swear the heat in baby
No neck ties

Hey ho strike one
Last one in's a son of a gun
Hey ho strike two
Can't fight here, this is the war room
Hey ho strike three
Action stations i'm ready
Hey ho strike four
My durango supercar

Hey ho strike five
Wake up now its time to die
Hey ho strike six
Flopnik kaputnik
Hey ho strike seven
Kissing at five, necking at eleven
Hey ho strike eight
Decided to co-operate
Hey ho strike nine
Gonna have us a crackin'good time
Hey ho strike ten
Flowers, bullets, zen and zen


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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