Free Lyrics 2026

5 Chinese Brothers ~ I Always Knew


Paul foglino I always knew you were too good for me I always knew you knew it too I did what i could, i knocked on wood, i hoped you understood But i could never measure up to you Now it scares me when i hear you talk I know i never had a chance But i'd rather be a nickel on the sidewalk Than a penny in a rich man's pants Now you've got someone to take care of you He gives you everything you need All those pretty things, engagement rings, all tied up in strings I only gave you what i got for free I always knew you were too good for me That's what you always used to say It's so hard to protect your self respect, In fact that's all i kept And that's the only thing you gave away more free lyrics

Paul foglino

I always knew you were too good for me
I always knew you knew it too
I did what i could, i knocked on wood, i hoped you understood
But i could never measure up to you

Now it scares me when i hear you talk
I know i never had a chance
But i'd rather be a nickel on the sidewalk
Than a penny in a rich man's pants

Now you've got someone to take care of you
He gives you everything you need
All those pretty things, engagement rings, all tied up in strings
I only gave you what i got for free

I always knew you were too good for me
That's what you always used to say
It's so hard to protect your self respect,
In fact that's all i kept
And that's the only thing you gave away

more free lyrics

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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